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00300	.FILL INDENT 12
00400		In this chapter many new elements have been added to the
00500	analytical diagram.  One must always be on guard against overloading
00600	the analysis with non-essential detail.  When new, and possibly
00700	confusing indications are added to the basic diagram, great care
00800	should be taken that the music under consideration really warrants
00900	their use.  Especially for the performer, the potential danger of
01000	too much attention to detail in analysis is probably greater than
01100	the danger of over-simplification.
01200	.CENTER		        
01300	_______________
01400	.FILL
01500	.adjust
01600	.begin verbatim
01700	
01800	Exercises for Chapter VI
01900	.END
02000	.FILL INDENT 12
02100		Analyze the following works.  Although a great deal of
02200	chromaticism is involved in these excerpts, not all of them
02300	contain alternating progressions.
02400	.BEGIN VERBATIM
02500	
02600	.end
02700	.ONCE NO FILL INDENT 0 
02800		1.  Chopin, Mazurka #1, in f%4S%1, Op.6, #1, first 16 bars.
02900	.BEGIN VERBATIM
03000	
03100		2.  Chopin, Mazurka  #6, in a, Op.7,  #2, first 32 bars.
03200	
03300		3.  Chopin, Mazurka #11, in e, Op.17, #2, first 24 bars.
03400	
03500		4.  Chopin, Mazurka #49, in f, Op.68, #4, all.
03600	
03700		5.  Chopin, Prelude in e, Op.28, #4, all.
03800	
03900	.end
04000	.ONCE NO FILL INDENT 0 
04100		6.  Chopin, Prelude in f%4S%1, Op.28, #8, all.
04200	.begin verbatim
04300	
04400		7.  Chopin, Prelude in f, Op.28, #18, all.
04500	.END